The piano concerto is one of the central genres of the 19th century. Around 1800, it still followed a clear model: the orchestra introduces the material, the soloist responds, and virtuosity plays a central role. Over the course of the century, this balance begins to change. Starting with Beethoven, the…
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The Salzburg Easter Festival was founded in 1967 by Herbert von Karajan and takes place annually over a period of around ten days between the Saturday before Palm Sunday and Easter Monday. From the beginning, it combined staged opera productions with orchestral and choral concerts within a single, concentrated timeframe.…
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The relationship between gods and men is one of the oldest themes in human thought. Myths describe gods who rule the world, religion speaks of a single divine presence, and philosophy questions how humans relate to both. Music has found different ways to approach this idea. It can present the…
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“An orchestra does not produce sound by itself — it must be shaped.” When Herbert von Karajan began working with the newly founded Orchestre de Paris, he encountered an ensemble still at the beginning of its story — and still discovering its own musical identity. The Orchestre de Paris gave its inaugural concert on 14 November 1967 under…
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Awakening and decline are basic experiences of human life. Myths and religions speak about the beginning of the world, nature wakes up every year when spring returns, and every day begins with the change from night to morning. Moments like these have inspired composers for a long time. Music can…
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In 1965, Karajan invited the Staatskapelle Dresden for the first time to the Salzburg Festival for a series of five concerts...
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Contrast is part of life. We experience difference constantly: tension and release, light and shadow, movement and stillness. Music works in the same way. Differences in tempo, dynamics, register, texture and orchestration define musical form. Fast and slow, loud and soft, major and minor, solo and tutti — these oppositions…
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Early in 1977, Anne-Sophie Mutter played for Herbert von Karajan in a private audition. Much has been said and written about this encounter and the collaboration that followed. But this Weekly SpinOn centres on a principle that guided Karajan’s work with Anne-Sophie Mutter from the very beginning: repertoire choice was…
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Mozart’s Many Faces brings together four works from different moments in Mozart’s life. The playlist moves chronologically from Salzburg to Vienna and from court music to opera and sacred music. Each track represents a different genre and a different working situation. Together, the pieces reveal not a single Mozart, but…
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The Biedermeier period (about 1815–1848) developed in Central Europe, especially in the German-speaking regions, after years of war and political upheaval. With censorship and limited political participation, many people had little influence on public life. This led to a growing sense of insecurity and fatigue. Instead of confrontation, stability became…
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Here you can download the full curriculum vitae of Herbert von Karajan!