Giuseppe Verdi

Weekly SpinOn: Home

What does “home” mean? In English, the word usually refers to a private space—the place where someone lives. The German word Heimat works differently. It can describe a region, a country, or a shared cultural environment. This difference is not accidental. Linguists often point out that languages develop words for…

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Weekly SpinOn: Karajan and His Female Protégées

This week’s edition looks at Herbert von Karajan’s collaborations with female artists at very different stages of their careers. Working in a period when major orchestras remained almost entirely male, Karajan relied on female soloists to shape many of his most distinctive projects. The four recordings selected here trace this…

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Weekly SpinOn:
The Stages of Verdi

This week’s playlist traces the stages of Verdi’s development—from the fire of his early operas to the psychological depth of his late works. With Ernani, Il trovatore, Un ballo in maschera and Otello, all under the baton of Herbert von Karajan, we follow a composer in constant transformation. Otello marks…

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Spotlight Verdi: “Don Carlo”

Karajan told Richard Osborne about the repertoire at his first engagement in Ulm: “I was always grateful to Verdi...”

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Spotlight Verdi: “Aida”

When Karajan conducted “Aida” for the first time in Vienna in 1951, it was not at the State Opera. As with “Carmen” three years later, he caused a stir...

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Spotlight Verdi: The Requiem

Verdi’s „Messa da Requiem“ is the greatest work of 19th-century sacred Italian music and his most important work apart from the operas...

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Agnes BaltsaAlban BergAlexander BorodinAlexis WeissenbergAnna Tomowa-SintowAnne-Sophie MutterAnton BrucknerAnton DermotaAnton von WebernAntonín DvořákMore

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