Spotlights

Weekly SpinOn:
Growing Together

Early in 1977, Anne-Sophie Mutter played for Herbert von Karajan in a private audition. Much has been said and written about this encounter and the collaboration that followed. But this Weekly SpinOn centres on a principle that guided Karajan’s work with Anne-Sophie Mutter from the very beginning: repertoire choice was…

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Weekly SpinOn:
Mozart’s Many Faces

Mozart’s Many Faces brings together four works from different moments in Mozart’s life. The playlist moves chronologically from Salzburg to Vienna and from court music to opera and sacred music. Each track represents a different genre and a different working situation. Together, the pieces reveal not a single Mozart, but…

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Weekly SpinOn:
Biedermeier

The Biedermeier period (about 1815–1848) developed in Central Europe, especially in the German-speaking regions, after years of war and political upheaval. With censorship and limited political participation, many people had little influence on public life. This led to a growing sense of insecurity and fatigue. Instead of confrontation, stability became…

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Weekly SpinOn:
The Sound of Silence

Music can never be completely silent (John Cage’s 4′33″ politely excluded), but it can approach silence. This playlist looks at moments where sound is reduced and dynamics are restrained. Like a city after fresh snowfall, familiar surroundings remain, but their character shifts as everything becomes muted. What emerges is a…

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Weekly SpinOn:
Christmas Evenings

Track 1: Nutcracker Suite, Op. 71a – IIf. Dance of the Reed-Pipes – Pyotr Ilyich Tchaikovsky Vienna Philharmonic · Herbert von Karajan This week’s playlist picks up directly from the previous one. In last week’s Weekly SpinOn, we looked at Karajan’s early Decca recordings and at projects from the early…

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Weekly SpinOn:
Decca Legends

This week’s theme looks at Herbert von Karajan’s recordings for Decca and asks what makes them distinctive. These sessions were shaped by specific places, production methods and technical decisions that went beyond simply capturing a performance. Together, they show how sound, planning and collaboration influenced the final result — and…

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Weekly SpinOn:
Sibelius’ Soundworld

Jean Sibelius developed an orchestral style that stood apart from the late-Romantic tradition around him. He did not treat nature as a source of imagery but as a model for musical structure: the movement of wind and water, the resonance of open landscapes and even the calls of birds became…

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Weekly SpinOn:
Shaping the Modern Ear

This week’s theme focuses on orchestral works that left a lasting mark on popular culture and changed the way we listen. These pieces moved beyond the concert hall and helped shape modern expectations of musical form, sound and intensity. They influenced how music is used in film and media, and…

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Weekly SpinOn: Karajan and His Female Protégées

This week’s edition looks at Herbert von Karajan’s collaborations with female artists at very different stages of their careers. Working in a period when major orchestras remained almost entirely male, Karajan relied on female soloists to shape many of his most distinctive projects. The four recordings selected here trace this…

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Weekly SpinOn: Nights of Masks & Carnival

This week’s edition looks at how composers and librettists have approached ideas of masking, disguise and festive culture across different musical contexts. From Venice’s long-standing carnival traditions to the theatrical role-playing of Mozart’s operas and the structured celebrations of the Rhineland, these works reflect how music and public festivity have…

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Agnes BaltsaAlban BergAlexander BorodinAlexis WeissenbergAnna Tomowa-SintowAnne-Sophie MutterAnton BrucknerAnton DermotaAnton von WebernAntonín DvořákMore

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