11 August
Rediscovering Karajan’s Vision: The Historical Context of the 1977 Beethoven Cycle in Dolby Atmos
When Herbert von Karajan recorded the Beethoven symphonies in 1977 with Deutsche Grammophon, he had a specific sonic ambition. At the heart of this ambition was the emerging quadraphonic recording technology of the 1960s and 1970s, aiming to offer a richer, more immersive sound experience. But as we discover in…
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