Spotlight Schoenberg: “Verklärte Nacht”
Karajan naturally interpreted Arnold Schoenberg’s “Verklärte Nacht” not in its original form as a string sextet but in the version for string orchestra...
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Karajan naturally interpreted Arnold Schoenberg’s “Verklärte Nacht” not in its original form as a string sextet but in the version for string orchestra...
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When he cast singers for young characters like Eva in “Die Meistersinger von Nürnberg” and Marzelline in “Fidelio” Karajan was always keen on voices that sounded really young. Helen Donath had such a voice...
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Karajan had little need for coloratura sopranos but for two standards of his repertoire they were indispensable – “The Magic Flute” and “Die Fledermaus”. For both operas he worked with the German singer Erika Köth...
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Otto Edelmann (the name means “noble man” in German) was a singer Karajan loved to work with. The bass-baritone from Vienna was “trained” by Karajan...
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Here you can download the full curriculum vitae of Herbert von Karajan!
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