When he cast singers for young characters like Eva in “Die Meistersinger von Nürnberg” and Marzelline in “Fidelio” Karajan was always keen on voices that sounded really young. Helen Donath had such a voice...
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Robert Schumann’s op 54 was the piano concerto Karajan performed most often – 32 times. The pianists he worked with...
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Yehudi Menuhin wasn’t a frequent artistic partner of Karajan’s. But the two men knew each other well and reflected ...
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Here you can download the full curriculum vitae of Herbert von Karajan!
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