This week’s edition looks at Herbert von Karajan’s collaborations with female artists at very different stages of their careers. Working in a period when major orchestras remained almost entirely male, Karajan relied on female soloists to shape many of his most distinctive projects. The four recordings selected here trace this…
Read More
This week’s playlist traces the stages of Verdi’s development—from the fire of his early operas to the psychological depth of his late works. With Ernani, Il trovatore, Un ballo in maschera and Otello, all under the baton of Herbert von Karajan, we follow a composer in constant transformation. Otello marks…
Read More
Karajan told Richard Osborne about the repertoire at his first engagement in Ulm: “I was always grateful to Verdi...”
Read More
When Karajan conducted “Aida” for the first time in Vienna in 1951, it was not at the State Opera. As with “Carmen” three years later, he caused a stir...
Read More
Here you can download the full curriculum vitae of Herbert von Karajan!